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results 261-280 of 344 item(s)  page 14 of 18 : ( <<  11  12  13  14  15  16  17  18  >> ) :: previous : next
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261. [Bookplate for Dufferin School John Frothingham Library] [Bookplate for Dufferin School John Frothingham Library] Printed in navy ink, a geometric border with ornate corners surrounds the text of multiple fonts. The coat of arms of Montreal is raised in blue with accompanying banners. The shield is topped with a crown and features a red saltire with four different charges between the arms: a rose, thistle, clover, and beaver. The bookplate includes a watermark. Beneath the coat of arms is a blank space with a number handwritten in grey ink, followed by the title of the school and a note on the school’s history.

262. [Bookplate for Dufferin School John Frothingham Library] [Bookplate for Dufferin School John Frothingham Library] Printed in navy ink, a geometric border with ornate corners surrounds the text of multiple fonts. The coat of arms of Montreal is raised in red with accompanying banners. The shield is topped with a crown and features a red saltire with four charges between the arms: a rose, thistle, clover, and beaver. The bookplate includes a watermark.

263. [Bookplate for Stanley Harrod] [Bookplate for Stanley Harrod] Sepia ink on cream paper. A sketched front of a sailboat with three large sails is at the top of the image. Ribbons swirls around the ship’s sails as if in the wind. The sailboat is emerging from a cloud-like section that extends out into other images. A rounded horizontal oval shape with large, round extensions at the top left and top right corners surround the other image. There is a thick, round border surrounding the shape. On the left side, a naked woman is leaning backwards onto a mythical creature with a human-like fish head and a coiling snake body. The creature is lying on the border, with wide eyes looking at the back of the woman. The woman was long hair in a ponytail and is looking downwards. Her right arm extends backwards towards the creature and, similarly, her right knee is bent. Her left leg extends out to stand on part of the border. Behind her left foot, a piece of seaweed like foliage drapes off of the border. In the upper right hand corner are two naked women. One is holding onto the upper part of the border and looks down onto the other woman, who is reclining on the border. The woman on top appears to be a mythical creature with long, footless legs that twirl around the other woman and border. The woman has her hair in a ponytail. The woman on the bottom has darker hair and has her left knee bent, her right arm lying on the leg of the other woman, and her left arm raised in potential defense against the other woman. In the middle of the shape is a head portrait of Leonardo da Vinci as an old man. He is bald on top with long white hair and a long white beard. Underneath his beard, the name Leonardo is written in fine, sentence case cursive. Extending from behind Leonardo’s beard are paint brushes and other artist’s tools, crisscrossed. Below the image is a small circle, text written in larger, sentence case cursive, another small circle, and more text in the same font.

264. [Bookplate for Harry E. Jones] [Bookplate for Harry E. Jones] Shiny texturized black ink is raised off the white paper. An elaborate border surrounds the central image. The border has two thin black lines on the outside and then has a series of repeating leafy floral shapes. The floral design is quite pointed and recurs in square sections all around the border. At each corner the design points out towards the corner. The inside of the border is surrounded by a thick black line. At the top of the border, an unfurled banner that is wider than the border sites atop of it. Text is printed in capitalized, block serif font. Below the ribbon, within the borders, is a picture of two monks looking at a large book with text and illustrations. One monk is standing in shadow, his back illuminated by the sunlight streaming in from a window outside the frame on the right side of the bookplate. At the forefront is a seated monk, also with his back to the sun, who is holding the book open while the other monk points at a section. The monk is sitting in a wooden chair with small cutout designs on the back. The table is also wooden and is covered with other books and a feather quill in an inkwell. In front of the desk, a large book with a decorative cover rests against the table leg. To the left of the book is a plain vase. At the base of the image, atop the lower portion of the border, is another ribbon featuring text printed in black, sentence case, serif font.

265. [Bookplate for Emil Eerme and A. Lavdovsky by V. Toots] [Bookplate for Emil Eerme and A. Lavdovsky by V. Toots] Stylized cursive letter E inside white circle on a black background formed by one thick letter E, and one thick backwards letter E.

266. [Bookplate for Union des Commis-Marchands] [Bookplate for Union des Commis-Marchands] Text is printed in a numbered list, surrounded by a line border resembling chain.

267. [Bookplate for Jack Pears] [Bookplate for Jack Pears] Textual bookplate with a monogram reading John Pears surrounded by a simple frame.

268. [Bookplate for Thomas Nickleson Jeffery by C. W. Torbett] [Bookplate for Thomas Nickleson Jeffery by C. W. Torbett] The armorial bookplate features a coat of arms. The escutcheon (shield) appears to be the impalement, or combining, of two distinct coats of arms into one shield. The dexter (right) shield is quartered: the repeated pattern features naiant (swimming) dolphins in an azure chevron between three leopard faces ; roses in a divided field of ermine (white with black tincture) and erminois (gold with black tincture) ; and a pheon (barbed arrow head) over an embattled field of sable and azure. Sinister (left) is a lion passant (lion depicted facing and walking to the left), which appears to be the shield of Jeffrey’s family through marriage, the Uniackes. Above the shield is a crest featuring a tree and a leopard with a horizontal anchor under its paw. Below the shield is a motto.

269. [Bookplate for James Hazen Hyde] [Bookplate for James Hazen Hyde] The bookplate central image is of several interwoven banners with flowers and leaves hanging from them in three cascades. The owner was an enormous Francophone who lived around the turn of the 20th century.

270. [Bookplate by F.A.C.] [Bookplate by F.A.C.] The bookplate depicts a lakeside scene in which a hotel is set among trees at the edge of the water. Prominent hills also give a sense of the surrounding landscape. This picturesque scene is framed by a border of trees. Amongst the leaves at the top of image is a scroll that reads 'Ex-Libris.' At the bottom of the image, an open book displays the words 'Rogers Rock.'.

271. [Bookplate for Victor W. Odlum] [Bookplate for Victor W. Odlum] The bookplate depicts several images representing aspects of Odlum's life and is printed in black and red on white paper. At the top of the bookplate is the family crest depicting a crowned owl (a pun on the pronunciation of the family name) and the motto "Vita Est Vigila." Underneath that is the Canadian flag and then below this is a series of biographically significant images. From left to right: a printing press ; a Turkish flag ; crossed swords and dates he served in the Boer War, World War One and World War Two ; an outline of Australia and a kangaroo ; and gardening tools. Below this series is an ancient Chinese character (Odlum's chop) and books.

272. [Bookplate for Victor W. Odlum] [Bookplate for Victor W. Odlum] The bookplate depicts several images representing aspects of Odlum's life and is printed in black and red on white paper. At the top of the bookplate is the family crest depicting a crowned owl (a pun on the pronunciation of the family name) and the motto "Vita Est Vigila." Underneath that is the Canadian flag and then below this is a series of biographically significant images. From left to right: a Turkish flag ; crossed swords and dates he served in the Boer War, World War One and World War Two ; and an outline of Australia and a kangaroo. Below this series is an ancient Chinese character (Odlum's chop), a printing press ; and gardening tools, and books on shelves.

273. [Bookplate for Pierre Louis Deschenaux] [Bookplate for Pierre Louis Deschenaux] The bookplate has a border of small bows surrounding the text. The majority of the text is in a bold serif font, and the word “Quebec” is in italics.

274. [Bookplate for Robie Lewis Reid] [Bookplate for Robie Lewis Reid] The bookplate has below a banner with a quote from the Canterbury Tales an image of a writing desk backed by a number of books both lined up vertically, aslant and open on the desk. A banner crosses the upper portion of the image that states "EX LIBRIS", between these two words is a round shield made by a belt on which is written "PRO VIRTUTE". Within this shield is the image of a hand holding an open book on top of a braided wreath. Below the writing desk is a rectangular plate with the name "Robie Lewis Reid".

275. [Bookplate for Rev. Pierre Beaumont] [Bookplate for Rev. Pierre Beaumont] The bookplate is printed in black ink on cream paper, now discolored. One penciled notation in the lower left.

276. [Bookplate for John Allen Brown by C. Bird] [Bookplate for John Allen Brown by C. Bird] The bookplate portrays a prehistoric scene shown from the perspective of a fur-clad man and woman looking from inside a cave towards a primitive wilderness scene (with stags and a mammoth). The image is framed by an assortment of artifacts, such as vases, swords, axe heads, flints, and other weapons. At the right bottom of the frame is a dagger with a flag inscribed with the initials "S.P.Q.R." an acronym for the Latin phrase "Senatus Populusque Romanus" ("The Senate and Roman People"). Below the picture is an open book on the left side of which is a shield and on the right side the bookplate text. The shield is blue with a gold chevron and three clams. At the top of the shield is mantling and closed helmet signifying esquire or gentleman. On the left side of the shield is a banner reading: "MENTE ET MALLEO."

277. [Bookplate for Arthur Coburn by L. J. R.] [Bookplate for Arthur Coburn by L. J. R.] The image is of a man standing between two deciduous trees. The man has black hair and is wearing antique garments from the Italian Renaissance and white tights. He is also reading a large black book and has a small black leather belt and pouch. The whole image is surrounded by a double filleted black border.

278. [Bookplate for Susie Maria Denton Massey] [Bookplate for Susie Maria Denton Massey] The image of a large house sitting above a wooded riverbank is possibly that of Dentonia Park Farm, the estate and working farm that Hart Massey built for his wife Susie in 1889. Massey's name is flanked by two lions bearing shields.

279. [Bookplate for J. G. Chilcott] [Bookplate for J. G. Chilcott] The text is in the centre of the bookplate, surrounded by a vine-like border. Four small flowers are in each corner of the border. The text 'TRURO' is bolded.

280. [Bookplate for Dr. Somogyi Ödön and J. E. Horvath by B. J.] [Bookplate for Dr. Somogyi Ödön and J. E. Horvath by B. J.] This art nouveau bookplate is in black and green ink, on ivory paper. It depicts a possible intruder clothed in black creeping around a green curtain from the left side. His eyes look towards a bookcase filled with books of varying sizes, which itself is partly covered with a curtain. On the right side of the image, with his back to the bookcase, is a white clothed figure holding an automatic pistol.
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results 261-280 of 344 item(s)  page 14 of 18 : ( <<  11  12  13  14  15  16  17  18  >> ) :: previous : next
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